Monday, June 3, 2013

Revival of the languid

Blatant, Naked, Basic


I am a forty year old man. I am God’s son. May His reign on this earth prolong until my heart ceases to beat and then beyond.

I speak no lie.

My religion forbids me from lying. It has taught me that God knows everything that there ever has been to know of me. For, as His messengers assure me each passing day, He has resided in every decision I have taken and every deed I have committed, since the beginning. I have nothing to conceal from any living creature as I am answerable to Him and only Him for all. And so I speak now, with neither veil on my thought nor falter in my voice. I speak with you as truthfully as I would have spoken, had I, by my good fortune, been asked by His self to speak.

I have blood on my hands.

I have killed. And for that I am honoured.

The hordes of lines, so coarse yet so innate; running scuttling scurrying  across the face of my hand, these Seers of Morrow, as other men I know consider them to be, offer me silence, solemnly definite, disturbingly grim silence when I ask them of the days, years and decades yet to come. They know nothing of the unknown; of the unhappened. 

Instead, unlike the ones drawn across other hands, mine speak of the past; of the known; of the truth. They are a mirror, not a projection.

I look down at them, watching them as a whole. And I know for sure that these lines, these Prophets of Destiny as other men call them, cannot hold more than what has already been etched into them in red. They are full.

For I have blood on my hands.

I have killed. And for that I am honoured.

It is here, tonight, now, at this very moment, with this starless sky gazing down on me, observing me so silently, with its one good eye, the pored dense goat milk white moon, that I sit down on my throne of rock, lay down my sword and rifle by my side, and speak with you as truthfully as I would have spoken, had I, by my good fortune, had God as my audience.

Truth.

Blatant truth.

I have waged countless wars. I have massacred hundreds and set their vile houses on fire. I have attacked villages and towns alike with a belligerence so strong that they may not be built again for decades to come. I have tortured, shot, beheaded and burnt men; men who praise a God other than mine; men who speak of my God, the one, the only real one, as if he were inanimate; as if he were a non entity; men who mock him and whisper amongst themselves that His life is a fable spawned from nothing but lies and fear; men who speak of peace and love in public and then go on to protest and debate, to challenge and question the idea of His existence; men who term His believers as fools and our beliefs as folly. Death is what they have received in my hands; a reply, as I am taught each day by His messengers, truly befitting the arrogance of the arrogant and the tyranny of the tyrant.                                                                                                     
I am God’s proudest son. For I have avenged His name.
And for that I am honoured.

Truth.
Blatant truth.

I see my hands now and my palms have turned into clenched fists. My veins throb. My fingers hug each other tight. The surge of rage that swells in me as I lay on my bed is back tonight, just like every other night. . . The cruelty. . . the injustice. . . the. . . suppression. . . the rejection. . . the mockings. . . the killings. . . the tortures. . . the rapes the abuses the murders. . . the rapes the abuses the murders. . .

My fists ache as my fingernails dig deeper into skin.

 . . . rapes abuses murders. . . rapes. . . abuses. . . murders. . . my own brothers and fathers. . . my own mothers and sisters. . . my own friends and mates. . . murders rapes and abuses. . . bleeding leg stumps. . . chopped off arms. . . orphans. . . widows. . . body strewn alleys. . . skull bone decked gutters. . . gut filled mudpits. . . wailing women . . . rasping laughing mocking hoods. . . apples and oranges. . . sticks and scythes. . . fluttering hoods . . . the hood. . . the one. . . the hood. . . 
Overpowering, overwhelming rage it is. And I feel tiny in it. I feel miniscule. I feel like a pawn with no medal on him, a lascar on deck with no seafaring sense other than of mopping floors and cleaning lavatories.

I feel guilty.

“Hundreds. . . thousands. . . millions of our brothers and sisters. . . our own brothers and sisters. . . His followers. . . rapes abuses murders. . . torture. . . humiliation. . . death. . .” I hear the recordings shout out each day as we are taught by His messengers, taught and trained to answer, to punish evil.

“. . . Disgrace. . .” they reveal to me about the happenings of the world, this pitiless, capitalist, perverted world.

I feel guilty. I feel angry.

I am God’s loyal soldier. For I have fought for the world that He once envisioned of, a world that He once dreamed and wished to build. A world purged of sin and sinners that His messengers speak of each passing day as I do what they have taught me to do so well.

I have killed for His name.
And for that I am honoured.

Truth.
Blatant truth.

The surface does not say it all. The facade does not say it all. The veil shows only as much as it wants to and hides the rest.

I open my fists, the fingernail scratches are bleeding crimson. Surfaces hold secrets inside. . . secrets hold surfaces together. . . surface secrets. . . secret surfaces. . .

No. The truth does not end there, here, now.

I have nothing to conceal as I am answerable to Him and only Him for all. I am unveiled to him. Naked.

And so I dig deeper.

“Apples and oranges. . . apples and oranges,” her gentle voice rocking up and down.
 Tukk, tukk, tukk. . . Tukk, tukk, tukk. . . her stick hitting the blackboard on each word scribbled across its surface in crude chalk.

“Two apples. . . four oranges. . . how many?”

“Tuuu appppulssss (Tukk Tukk) . . . Foore oorenges (Tukk tukk) . . . “

“Very good,” stick making a circle in the air above us. Biri and I sitting in front. . .  looking at each other. . . and then at her. . . stick still circling. . .

“Two apples (tukk tukk) and (tukk) four oranges (tukk tukk) . . . makes?”

“Siiiixsssssssss,” all ten of us answering, in tandem, not one willing to stop with the last syllable. . . “ssssssssssssssssss” . . .

“Ok ok. I got it. Shhhh now,” Her smile on me and Biri.

“Shhhhhhhhhhhhhhhhhhh,” one syllable sacrificed for another sounding merrier.
Tukk tukk tukk tukk tukk tukk. . . the slaps on the board harder than before.

“Badmash bachche sab ke sab” (naughty children, all of you)

All ten of us giggling into our palms, Biri and I, I and Biri, looking at the teacher, her stick resting on the wooden desk now, her hands raised, tying her silken hair behind her oval head, face breaking into smiles now and then looking at each one of us. Biri and I, I and Biri, waiting. . . hearts beating. . . one more question. . . we want another question. . . only the two of us. . . best friends since birth want to answer the next. . . 

“Theek hai,” (Ok then) Her eyes narrowing at us, all ten of us, “Lets see how many of you can get this right.”

“Hmmmmm”

“ Prize. . . Prize. . . Prize. . . Prize. . .” the others shouting in unison. Biri and I joining them eagerly, “Prize. . . Prize. . .”

Tukk tukk tukk on the board again.

“Yes yes. Ok. QUIET now” Tukk tukk tukk tukk.

“You,” stick pointing at me, “go get my bag from there,” her eye lashes thin at the sides, thick in the middles, falling and lifting casually.

“Jaldi jaldi. . . quick quick,” all nine of the others urging me on as I run to the corner where she keeps her cloth bag and back to the front of the class.

“God bless you,” her fingers warm, ruffling my hair, taking the bag, taking out the square box of chocolates from it.

“Yummmmmm,” all ten of us.

“Not so fast you naughty little brats,” her.

“Ummmmm,” chalk scribbling on the board again.

“Ok, Ten apples aaannnd twelve oranges. . . how many?” Biri and I, I and Biri, hands shooting in the air even before her chalk has stopped scribbling, even before she has finished speaking.

Rest of the ten, quiet.

“Yes?” her.

“Twaaanti Tuuuu” Biri and I, I and Biri in unison, hands still in the air.

Dhukk dhukk dhukk dhukk dhukk. . . stick against the wooden surface. . . not hers, a different one, a bigger one, with bigger hands holding it.

All eleven of us turning to the right. All eleven of them standing at the door, black clothed, eyeing her in the front.

“Chalo bachcho, iskool choot gayi hai” (scram kids, school’s out) the man with the stick shouting at us. The hood. . . the one. . . dhukk dhukk dhukk dhukk again.

Twenty feet rising to the ground, ten half pant clad bottoms dusted, bags packed, chalks pocketed, teacher still sitting on her chair.

“I said beat it. . .“ the hood fluttering angrily, “Quick!”, stick hitting Biri on his back.
Running now. All ten of us.

Outside the room, into the ground. Ten children out, ten hooded men in. The eleventh entering last, door shutting behind him.

Silence, followed by voices.
Noise of sticks hitting wood and glass echoing from inside.

“What do we do?” Biri helpless.

“I don’t know” I even more.

Shouts and noises, noises and shouts. Sticks hitting wood, sticks breaking glass. . . .
Her wailing.

Biri and I, I and Biri, hugging each other, weeping.

Her screaming. . . Doors open now. . . Her. . . running towards us. . . hair torn, 

“HEELLPPPPP”. . . cheeks bleeding. . .

“HELLPPP MEE”

Biri and I, I and Biri. Rest of the ten gone already.
Shivering, helpless.

The hood. . . the one. . . catching up from behind her. The stick, his stick, the sturdy one breaking on her knee cap.

Her on the ground, face first. Tear in her gown.

Biri and I, hugging, shivering, weeping.

Five black clothes carrying her back to the classroom. Her. . . unconscious. . . leg crumpled. . . cheeks torn. . . gown ripped. . .

The hood. . . the one. . . “Shhhhhhhhhh” to Biri and I.

“Summer vacations have come early for you, maje lo,” the hood. . . the one, rasping, mocking, laughing. Turning back from Biri and I, walking towards the room, entering, shutting the door.

“Please do something” Biri.

“What do we do?” I.

“There’s a window at the back”

Biri beneath me now. My legs resting on his shoulders, us leaning against the stone wall, me peeping in.

Her. . . sprawled over the table. . . Surrounded. . . held. . . tied. Conscious. . . wailing. . . screeching. . .

The hood. . . the one. . . cloth fluttering again, rasping, mocking, laughing, the bulge beneath his waist-belt visible. Stick resting on the ground, scythe in his hand. . . the hood. . . the one, scythe in his hand moving over her trembling exposed belly.
“Oh,” Biri and I slipping against the moss-laden wall, falling to the ground.
“Who’s there?” the hood. . . the one shouting from within.

Running again, Biri and I, best friends since birth. 

Biri to the south.
I to the north.
Separate ways.
Home.

Here, now, the present once more. My fingers have formed into fists again.
The bleeding, cut skin does not bother me anymore. It soothes my rage instead. Balms it even.

“Apples and oranges”

My sweet gentle teacher; my lone recollection of kind and good. . .

We found her the next day on a dirt road. Sprawled naked, throat slit, blood trickling from a hundred pores on her. My sweet gentle teacher; my only memory of care and love. . . I retched at the sight of her mangled body, I threw up every morsel every drop of liquid that was lodged in my stomach. My eyes my nose my mouth became wrecked floodgates when I saw her that way. . . her. . . my loving, kind teacher. . . For hours I ran in the gullies of my village that day, my mind in frenzy, my eyes in tears, a rusty nail hidden between the webbing of my fingers. . . but found no one to hurt with it.

“Sticks and scythes”

"We are with you", I hear again the voice that made me stop running, my savior, my mentor, "He is with you" the firmness in it making the fumes of wrath inside my belly subside as he fed me with his own hand. The water that I drank from his goblet fed new life into me.

I am God’s proudest son. For He helped me avenge what they did to her.

I trained hard, I searched harder. . .
I learned hard, I hunted harder. . . 
I found the hood. . . the one. . . and many more of his kind.

Before my dagger sliced open their wretched organs, I ensured it was not mercy that they begged for. . . before the length of my blade was smeared with their vermin guts, I ensured it was not for pity that they pleaded . . . 

‘A quick death please’ they screeched into my ear with toothless mouths and watery eyes. . . every single one of them. . . 

But I took my time. 
And for that I am honoured.

Truth.
Blatant truth.

The red dripping from my palm has become an unbroken stream now. I feel no pain in these holes as my fingernails retract from them and straighten again. The reason is simple. Basic. Not the lying simplicity of the facade, the surface. No, not that.
Yet simple.

I have nothing to conceal as I am answerable to Him and only Him for all. My life’s truth is in his viewing and has been that way from the beginning. The truth, blatant truth, lies deeper.
And so I dig.

And so I come to the answer, the truth as I bare myself in all senses to Him and to you.

I feel no pain because I feel nothing now. 

The fury in me is a ruse. It is empty. The rage that surges into my veins each night has become a mere ritual now, a habitual doing on my part, albeit a part which cannot be, can never be undone.

The red on my hands is unwashable. The lines across my palm are full, these Seers of Morrow, these Prophets of my Destiny as called by other men whom I know, have become blind and obliging to my habits.

The voices in the tapes that are played by my mentors, His messengers, no longer enrage me. They are within me now. I have become the rage, the fury, the anger and in the most basic sense, a vessel of nothingness.

The deeper I dig, the greater I feel the absence of any true motive inside me. I see no purpose in hunting down hoods any more, I see no end to my quest.
But the fury in me will not subside tonight, I know, as I have known that it will not on every other night. It will not leave me, not now, not ever.

And so I know what lies in waiting for me tomorrow when I wake up from this night, this night just like every other where I am made to feel like I haven’t earned the right to taste sleep yet.

. . . the hood. . . the laughter. . . the bulge beneath. . . my own brothers and fathers. . . my own mothers and sisters. . .

I know what I will do tomorrow and the day after that and the days beyond even as these cluster of lines symbolizing my destiny remain silent.

I will kill. I will spill blood on my hands. I will kill in my God’s name. 
And for that I shall be honoured.
                                                                   * * *

Thursday, November 3, 2011

River of Smoke (2011)

The time is well past twelve as I sit at my PC now with a throbbing head and a testosterone infused heart; two emotions which I haven’t felt to a large extent in some time now (mainly on account of the seclusion that I have inflicted upon myself for the greater part of this year).

I sit here with my blogger dashboard open at one end; deserted as it is, rightfully, of even a single page view. And the first answer that comes to my mind when I ask myself ‘why is it that you intend to blog now?’ is this-
I know that my hand will not stop itching unless I do.
For I have just finished reading the ‘best’ book that I have ever read until this day.

I tip my hat to you Mr. Amitav Ghosh. You are, in all senses of the legend, a master of the English prose.

You have managed to create within the realms of my imagination, which I think now after having read this book of yours as nothing but unreservedly paltry, a world that existed almost two hundred years ago. And to what extent have you succeeded, before someone will dare to ask, let me elucidate the matter to its more understandable depths. Furthermore, for the sake of not scaring away my blog followers, which is currently a single digit faction, from the boredom of reading a detailed and critical evaluation of your masterpiece which would definitely have to span over pages inorder to do you any kind of justice, I would like to put my sentiments in the form of bullet points:

  1. I can clearly see the places that you have used as a back drop for your epic tale. Not only do I feel now as if I have visited, in person, both Canton and Hong Kong of the many places that you’ve so vividly described in your narrative, they are now, as close to me as a place of ancestry or a place of natives would be to a person who holds his family and his bloodline as his sole possessions.
  1. I can still feel the sea breeze on my neck, gentle yet violent on occasions, and I cant still sense the floor beneath me swaying from the waves lashing against the sides of this make-believe ship that I’m seated in at this very moment; as if I were one of the passengers traveling on the upper decks of the ships that you’re story involves; or, more truthfully put, as if I were part of the crew of lascars manning the ‘Ibis’ or the ‘Redruth’ or the ‘Anahita’.
  1. I feel like I knew every character you’ve written about since the day they were born. The opium trading businessman, his friends, his reliables, the British traders, the Chinese locals, the plant collector, the painter, the Bengali prince disguised as the munshi, his companion; so many that I cannot even recollect exhaustively every leading character of your story in one moment and yet, I kid you not, it takes me less than a minute to envision even such minute details as the colour of their skin and the twang in their voice when a name is singled out to me as I embark upon the unavoidable task of recollecting what I’ve read over the past month.
  1. I can smell the deliciousness of every dish and every drink that was offered by the hosts and devoured by the participants during the many celebrations and merry gatherings manufactured by your pen throughout the length of this book. I never knew that reading something could make me experience a bursting stomach as if I had been gobbling the delicacies and sipping from the goblets along with the rest of the joyous invitees occupying the breadth of the lacquered tabletops.
  1. I sensed the prosperity, the affluence, the merriment, the disdain, the pain and a thousand other sensations that you have so proficiently woven into your wordage. I understood them and for the time that I held your book open in my hands, I experienced them as if for real.
What constitutes an ideal book? Most of us might question those who declare a chronicle in specific as the greatest; a ‘magnum opus’ of literature.

My answer is simple: To me, the best book is that which I would never wish to reach the end of. I would want it to span over my age, its voyage overlapping mine. I would want it to prolong as long as I yearn to learn more both about the protagonists and the antagonists. And when I do reach the end, the last page should do nothing but merely amplify my cravings for the details that I could’ve possibly gained knowledge of had the writer not limited his tale to the five hundred odd pages.

‘River of Smoke’ fits this description to the fullest and as a consequence it has become the best book in my eyes.

What a journey it has been! Why, I can barely remember when I had begun reading ‘Sea of Poppies’, which is the first of the ‘Ibis’ trilogy and now I realize suddenly that the second installment in the ambitious three part series is past me. It is finished. And it has left me hungrier than ever for the third and the final volume which, to my annoyance, is yet to be written. What a vibrant and vivacious portrayal the author has drawn of the times that subsisted just before the opium wars of the 18th century erupted. You would think of the man who wrote it as someone who has lived through all those years. If not then how is it that he is able to describe even infinitesimal elements of each scene with such expert elaboration?

Even if I keep aside the fact that the novel is an outright fiesta of language (not just English, mind you) I am still left marveling at the amount of effort that has been put in by the esteemed writer to ensure that historical facts and references are complied to every limit feasible.

And the style of narration! Every story has a back story and the back story has a flashback, each with its own set of characters and own set of incidents, all of which are singular in their manner of occurrence and interpretation so much so that by the time a chapter had come to a close, I would be simply enthralled as to how exactly the author had achieved the gigantic task of weaving together three different accounts without allowing, even a second of an opportunity for the interest of the reader to drift off.

The only negative point that I could attach to this book is that it robbed me of the pleasure of enjoying ‘Last Man in Tower’ written by Man Booker prize winner Aravind Adiga. But I must bear in mind that the fault thereto was mine, as I was stupid enough to think that I could manage to read concurrently, such a diverse pair of tales, the former essentially being larger-than-life and the latter a simplistic modern day drama. So now I find myself in no position at all to decide whether Adiga’s book, filled with witty sarcasm as it is, is actually a good book or not. (Will have to reread before reviewing it)

As a reader I have never enjoyed going through critiques that give away plot points or even attempt to put forth a précis of the novel on which such reviews are based. So I will stray away from doing such a thing myself.

But I can tell you this, with the assurance that only a hardcore bookworm can give-

If you are someone who enjoys the idea of getting to know complex and beautiful words which you never knew to exist as compared to the mundane terms and terminologies which are passed off today as good English, you will love this book.

On the other hand, if you are someone who finds it an annoying practice to refer a dictionary while reading or if you are someone who merely seeks a satisfying ending while choosing a book, you are bound hate it.

[There . . . . . the itch has subsided! : ) ]

PS: I am well aware of this post being my only one in nearly ten months time. My apologies to the few who read my blog. As a consolation I may share with you that I have been working on something bigger, if not better, than short stories and hence the regrettably prolonged dearth of tales to tell in an otherwise intermittently active blog-page.

Another reason for me falling short of the tall claims which I had made last August (Come December and you shall feel the full blast . . . . something like that if I am recollecting correctly) is that most of my spare time nowadays is spent reading. [Although I leave no opportunity to declare so pompously that I’m going through RESEARCH MATERIAL for my book, I must admit that in actuality it comprises of the kind of books which I would’ve read irrespective of whether I was trying to pen down a novel or not : ) ]

Life hasn’t been any different for me on the other side of Chartered Accountancy than the way it was while I was pursuing it, or even before that. I was reading book after book like a psycho back then . . . . . . . . . I’m still reading book after book like a psycho right now. Great fun!